Loeb was an executive producer of “Heroes,” the NBC series, airing from 2006 to 2010, about ordinary people discovering super powers. Loeb’s partnership began with an eight-part story about the Challengers of the Unknown for DC Comics, but it would stretch beyond publishing. “You’re not quite sure, because he doesn’t put in things that date it.” “Is it the ’50s? Is it the ’60s? Is it the ’70s?” he added. In “Daredevil: Yellow,” for instance, the hero’s love interest resembles Grace Kelly. “I would say what connects all of his work is that it’s timeless,” Mr. He could draw the biff-bam-boom, but it was the quiet moments that made it extraordinary.” When people traditionally think about comics, it is the biff-bam-boom. Loeb said: “Tim was much more interested in capturing the small moments. In an interview with the website World of Batman, Christian Bale, who played the character, discussed the influence of “The Long Halloween” and a sequel, “Dark Victory.” They had “some really fantastic imagery,” he said, “and I would kind of imitate those positions.” The filmmakers Christopher Nolan and Matt Reeves, both of whom directed “Batman” films, have cited “The Long Halloween” as an inspiration. Tim simply had no use for surface banality.” His stories were beautifully visceral, nuanced and evinced deep humanity. Tim clearly put a premium on storytelling, clarity and pacing - cherishing emotion above all. “Beyond the taut chiaroscuro style which became his trademark. “Tim Sale was an amazing artist, draftsman and storyteller,” Jim Lee, the chief creative officer and publisher of DC Comics, wrote in an Instagram post. The Superman tale evoked Norman Rockwell paintings of idyllic times, with the title character enjoying tranquil moments with a childhood sweetheart, his dog and his adoptive parents.
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